Literature, Slavic

Article Literature, Slavic

Review Article: New Russian Literary History

Willem G. Weststeijn

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

Введение к «Дневнику мыслей» Алексея Ремизова (январь – февраль 1953)

Алла Грачева, Ольга Линдеберг, Любовь Хачатурян

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

Forty missives from a Kamakura hotel

Pavel Kořínek

CESKA LITERATURA (2023)

Article Literature, Slavic

Electronic literature as a representative of the ideal text?

Jakub Novák

CESKA LITERATURA (2023)

Article Literature, Slavic

Questioning and self-reflection

David Kroča

CESKA LITERATURA (2023)

Article Literature, Slavic

Václav Kubec

Michal Jareš

CESKA LITERATURA (2023)

Article Literature, Slavic

Zorro, Don Q and Estevan Rex

Markéta Ř. Holanová

CESKA LITERATURA (2023)

Article Literature, Slavic

RUSSIAN ACTIONISM AS BIOPOLITICAL PERFORMANCE: SHIFTING GROUNDS AND FORMS OF RESISTANCE

Maksim Hanukai

Summary: This article traces the development of Russian actionism through a biopolitical lens, exploring how it has evolved from a public enactment of post-Soviet society's regression to a more consciously biopolitical resistance against Vladimir Putin's rule. The author analyzes the actions and statements of Voina, Pussy Riot, Pyotr Pavlensky, and Katrin Nenasheva, identifying four main tactics of resistance that have shifted actionism towards practices of radical care. The article also briefly touches on actions performed after Russia's 2022 invasion of Ukraine.

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

THE ANARCHIC MALE BODY IN CONTEMPORARY RUSSIAN POETRY AND THE CONSTRUCTION OF NEW MASCULINITIES

Alexander Zhitenev

Summary: This article discusses the strict regulation of male bodies in the Russian context under state intervention, as well as the emergence of resistance to power and non-normative models of masculinity in contemporary Russian poetry.

RUSSIAN LITERATURE (2023)

Editorial Material Literature, Slavic

INTRODUCTION: CULTURAL BIOPOLITICS IN RUSSIA

Maksim Hanukai

Summary: This paper introduces the concept of Cultural Biopolitics in Russia, bridging the gap between biopolitical theory and cultural studies. It explores culture as a field of soft power where biopolitical rationalities are reinforced or challenged. Russian culture, with its historical entanglements with power, offers a rich field of inquiry for scholars of modern biopolitics.

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

THE NON-FINAL CUT: THE BIOPOLITICS OF NECROREALIST CINEMA

Ellina Sattarova

Summary: This article examines the biopolitical aspects of necrorealist cinematic experiments of the 1980s. It shows that the necro aspects of necrorealism emerged as a result of the group's engagement with images. The cinematic medium, with its paradox of simultaneous stillness and motion, was well-equipped to produce hybrid entities that challenge the separation of the human and the inhuman, political and bare life.

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

THE EROTIC OF SELF-HARM(S): A CATASTROPHIC BODY IN DANIIL KHARMS AND YAKOV DRUSKIN

Masha Semashyna

Summary: This article explores the biopolitics of writing and the construction of a catastrophic writing body in the notebooks of Daniil Kharms and the essays by Yakov Druskin. Personal writings are seen as self-harming texts and a form of freedom in situations where resistance is unavailable.

RUSSIAN LITERATURE (2023)

Article Literature, Slavic

“This is utopia!”

Ivan Adamovič

CESKA LITERATURA (2023)

Article Literature, Slavic

On the margins of Neruda’s prose

Jiří Pelán

CESKA LITERATURA (2023)

Article Literature, Slavic

“The explosion that just happened.”

Vratislav Maňák

CESKA LITERATURA (2023)

Article Literature, Slavic

Czech radio adaptations of Karel Čapek’s works

Tomáš Bojda

CESKA LITERATURA (2023)

Article Literature, Slavic

Life as an Aesthetic Experience in Literature by Erica Pedretti

Vesna Kondric Horvat

Summary: In today's globalized world, exploring the challenges faced by authors with migrant backgrounds is important as they provide a unique perspective on different cultures and offer firsthand transcultural experiences. Some authors adeptly blend multiple cultures in their autobiographical literature, creating convincing fiction. Erica Pedretti, a Swiss author of Sudeten German origin, is renowned for her innovative use of language and has received prestigious awards for her literary works. This paper examines Pedretti's literary journey, starting from her small book "Harmloses, bitte" in 1970, to her final novel "Das Kuckuckskind oder Was ich ihr unbedingt noch sagen wollte" in 1998, as well as her booklet "fremd genug" in 2010, and her notes that challenge societal norms by transforming personal experiences into aesthetics.

PRIMERJALNA KNJIZEVNOST (2023)