Literature, British Isles

Article Literature, British Isles

Following Puck virtually in the Royal Shakespeare Company's Dream experiment: Live theatre and high-tech innovations

Susan L. Fischer

Summary: The thirty-minute experiment titled Dream represents a collaborative effort between the Royal Shakespeare Company and Audience of the Future, combining live performance with motion capture technology, 3D graphics, and interactive gaming techniques. It allows the audience to remotely guide Puck through a virtual forest. Inspired by A Midsummer Night's Dream, this new format for Shakespeare's performance evolved during the COVID-19 pandemic.

CAHIERS ELISABETHAINS (2022)

Article Literature, British Isles

Timon and Melancholia

John Jowett

Summary: Timon of Athens portrays the protagonist Timon as initially generous and sociable, but later becomes misanthropic, paralleling Lars von Trier's film Melancholia, which is divided into two parts showcasing different disasters. This comparison highlights the connection between psychological and physical disasters in Timon.

CAHIERS ELISABETHAINS (2022)

Book Review Literature, British Isles

Henry VI: Rebellion

Peter J. Smith

CAHIERS ELISABETHAINS (2022)

Book Review Literature, British Isles

Trust Me, I'm a Doctor! Or, Faites-moi Confiance, Je Suis Medecin !

Gaelle Ginestet

CAHIERS ELISABETHAINS (2022)

Editorial Material Literature, British Isles

Thematic Volume Introduction: Shakespeare and Ideology on Page and Stage

Krystyna Kujawinska Courtney

MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE (2022)

Article Literature, British Isles

Hamlet, Macbeth, Anantanarayanan's The Silver Pilgrimage and A Touch of Occidentalism1

Mythili Kaul

Summary: This article describes an encounter with Shakespeare in an unusual place, a novel set in medieval India. Shakespeare is viewed and assessed by an Indian audience through principles of classical Indian art and thought, creating a sense of incongruity but also providing fresh insights. The novel does not favor one culture over another, but the readers do, leading to humorous situations. The Silver Pilgrimage offers stimulating perspectives from the point of view of Sanskrit poetics and Indian thought on two Shakespearean tragedies, while also exposing the limitations and cultural chauvinism behind this viewpoint.

MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE (2022)

Article Literature, British Isles

Taming the Glitter Ball: A Diagnosis of Shakespeare `for all time'-Sketched from South Africa

Laurence Wright

Summary: Shakespeare's works have spread globally, with various ideological interpretations. The diversity and artistic appeal of his works need explanation, as they have remained in the spotlight for over 400 years. This article aims to explore the textual mechanisms that have contributed to Shakespeare's international success.

MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE (2022)

Article Literature, British Isles

The Enemy Other: Discourse of Evil in William Shakespeare's The Tempest

Ayman Abu-Shomar

Summary: This essay explores the colonial ideology represented by the character of Caliban in Shakespeare's The Tempest and analyzes the semantic and moral aspects of the concept of "evil". It concludes that Caliban's evilness is a construction of rhetoric and discourse, rather than an inherent reality.

MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE (2022)

Book Review Literature, British Isles

The Private Life of William Shakespeare

Michael M. Wagoner

SHAKESPEARE QUARTERLY (2022)

Book Review Literature, British Isles

Playbooks and Their Readers in Early Modern England.

Lindsey L. Jones

SHAKESPEARE QUARTERLY (2022)

Book Review Literature, British Isles

Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment

Mark Thornton Burnett

SHAKESPEARE QUARTERLY (2022)

Book Review Literature, British Isles

Cures for Chance: Adoptive Relations in Shakespeare and Middleton

Molly Hand

SHAKESPEARE QUARTERLY (2022)

Book Review Literature, British Isles

Shakespeare and Virtual Reality

Don Rodrigues

SHAKESPEARE QUARTERLY (2022)

Article Literature, British Isles

King Lear and Blessing

Kenneth J. E. Graham

SHAKESPEARE QUARTERLY (2022)

Article Literature, British Isles

Reading a Lost Book: Ben Jonson’s Epigrammes (c.1612) and Disposable Authorship

Tara L. Lyons

ENGLISH LITERARY RENAISSANCE (2022)

Article Literature, British Isles

Taking Shakespeare in Stride: Lady Macbeth at the American Repertory Theatre

Bailey Sincox

Summary: "Macbeth in Stride" is a live 'concert play' that combines original dialogue, R&B, gospel, and rock music, and 'Shakespeare fragments' to portray Lady Macbeth as a symbol of Black feminine desire and ambition. Instead of depicting Lady Macbeth as a 'universal' figure, this production uses three overlapping characters to highlight her resonance with gendered and racialized experiences. Through its musical numbers and performances, the play explores the dialectic between performing Shakespeare and performing Blackness, and encourages audiences to confront the forces that frustrate reparative reading and gender and racial equality.

SHAKESPEARE (2023)

Article Literature, British Isles

Paradise Now: Desiring English Eden in Shakespearean Gardens and Early Modern Horticultural Books

Claire Eager

Summary: This essay argues that Shakespeare portrays paradise as attainable in the present rather than a lost ideal. The language used by his characters mirrors that of garden books and manuals, suggesting a connection between the desire for paradise and conquest. However, the concept of paradise is reimagined and adapted to suit the characters' needs in different plays. This parallels contemporary nationalist discourses on Eden found in horticultural publications.

SHAKESPEARE (2023)

Article Literature, British Isles

Celebrity Plays and Embodied Fidelity

Louise Geddes

Summary: Celebrity is an active and predictable phenomenon in human subjects, defining cultural norms. This essay argues that Shakespeare plays become celebrities in their own right, perpetuating particular stage histories that reflect the collective understanding of a play rather than the original text. Stagings of famous plays are expected to embody a culturally-embedded idea of Shakespeare, and the notion of embodied fidelity in performance can have significant implications regarding race, gender, ability, and class.

SHAKESPEARE (2023)