期刊
AMERICAN ANTHROPOLOGIST
卷 113, 期 1, 页码 56-70出版社
WILEY-BLACKWELL
DOI: 10.1111/j.1548-1433.2010.01306.x
关键词
anthropology of war; Dead Birds; Dani; ritual battle; ritualized fighting
类别
Thanks in part to the film Dead Birds, the theatrical and largely innocuous battles fought by the Dugum Dani of New Guinea are regarded as a classic instance of restrained or ritualized combat. This impression is misplaced. Participants were trying to kill one another, but the waterlogged terrain of the mid-Baliem Valley blunted their ability to do so. If they were to engage on a large scale, Dani armies had to prearrange confrontations on one of two narrow ribbons of raised land; the tight confines of these strips lent their fighting its nonserious or sporting air; and the surrounding, waterlogged terrain made it hazardous to chase after and massacre a defeated side. The case highlights the importance to an anthropology of war in small-scale societies of attending not just to cultural or symbolic landscapes and rules of war but also to military scale and terrain.
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