期刊
BRITISH JOURNAL OF AESTHETICS
卷 56, 期 2, 页码 149-161出版社
OXFORD UNIV PRESS
DOI: 10.1093/aesthj/ayv053
关键词
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It is commonly thought that authors can make anything whatsoever true in their fictions by artistic fiat. Harry Deutsch originally called this position the Principle of Poetic License ( PPL). If true, PPL sets an important constraint on accounts of fictional truth: they must be such as to allow that, for any x, one can write a story in which it is true that x. I argue that PPL is far too strong: it requires us to abandon the law of non-contradiction and entails a radical revision of otherwise ordinary commitments about truth in fiction.
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