4.7 Article

Modelling Affect for Horror Soundscapes

期刊

IEEE TRANSACTIONS ON AFFECTIVE COMPUTING
卷 10, 期 2, 页码 209-222

出版社

IEEE-INST ELECTRICAL ELECTRONICS ENGINEERS INC
DOI: 10.1109/TAFFC.2017.2695460

关键词

Horror; sonification; tension; crowdsourcing; preference learning; rank annotations

资金

  1. FP7 Marie Curie CIG project AutoGameDesign [630665]
  2. Horizon 2020 project CrossCult [693150]

向作者/读者索取更多资源

The feeling of horror within movies or games relies on the audience's perception of a tense atmosphere-often achieved through sound accompanied by the on-screen drama-guiding its emotional experience throughout the scene or game-play sequence. These progressions are often crafted through an a priori knowledge of how a scene or game-play sequence will playout, and the intended emotional patterns a game director wants to transmit. The appropriate design of sound becomes even more challenging once the scenery and the general context is autonomously generated by an algorithm. Towards realizing sound-based affective interaction in games this paper explores the creation of computational models capable of ranking short audio pieces based on crowdsourced annotations of tension, arousal and valence. Affect models are trained via preference learning on over a thousand annotations with the use of support vector machines, whose inputs are low-level features extracted from the audio assets of a comprehensive sound library. The models constructed in this work are able to predict the tension, arousal and valence elicited by sound, respectively, with an accuracy of approximately 65%, 66% and 72%.

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