期刊
GIRLHOOD STUDIES-AN INTERDISCIPLINARY JOURNAL
卷 13, 期 1, 页码 117-132出版社
BERGHAHN JOURNALS
DOI: 10.3167/ghs.2020.130109
关键词
becoming; banlieue film; contemporary cinema; control; housing estate; Sara Ahmed; Michel de Certeau; selfhood
In this article, I explore the use of space in Andrea Arnold's Fish Tank and Celine Sciamma's Bande de Files, two films that depict the experiences of 15-year-old girls in a British housing estate and a Parisian banlieue respectively. The spatial motifs related to identity that circulate throughout the films establish a regime of flux, ambiguity, and reversibility that contributes to a depiction of female adolescence as unfixed and unsettled. I argue that both films, in their focus on the lived experience of their protagonists, investigate the landscape of economically and socially peripheral spaces to develop a specifically female approach to contemporary coming-of-age narratives that takes into account the difference that gender makes.
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