期刊
MEMORY STUDIES
卷 14, 期 1, 页码 24-40出版社
SAGE PUBLICATIONS INC
DOI: 10.1177/1750698020976458
关键词
cultural memorial forms; dialogical understanding; Gehen; ging; gegangen (Go; Went; Gone); Jenny Erpenbeck; narrative empathy; non-subsumptive memory
资金
- Academy of Finland project 'Instrumental Narratives: The Limits of Storytelling and New Story-Critical Narrative Theory' [314769]
- Academy of Finland (AKA) [314769, 314769] Funding Source: Academy of Finland (AKA)
The article emphasizes the importance of a model of non-subsumptive understanding in theorizing memory as a mode of generating meaning and understanding the other ethically. It develops a theory of non-subsumptive memory and narrative empathy while highlighting the significance of dialogical forms of understanding. The article envisions memory as a resource for learning and empathy towards others in processes of dialogical understanding.
This article shows the relevance of a model of non-subsumptive understanding for theorising memory as a mode of sense-making that can contribute to understanding the other in ethically sustainable ways. It develops a theory of non-subsumptive memory and narrative empathy. While understanding is often seen as a form of appropriation, assimilation, and subsumption of the singular under the general, a hermeneutic approach suggests that there are also non-subsumptive, non-appropriative, dialogical forms of understanding. In dialogue with Jenny Erpenbeck's novel Gehen, ging, gegangen (Go, Went, Gone), the article argues that cultural memorial forms, as (narrative) models of sense-making, tend to be productive when they adapt and change as they are applied to new situations and harmful when they subsume new experiences under fixed meaning templates. The article envisages memory as a resource for learning and other-oriented empathy in processes of dialogical understanding.
作者
我是这篇论文的作者
点击您的名字以认领此论文并将其添加到您的个人资料中。
推荐
暂无数据