4.5 Article

Toward Content-Driven Intelligent Authoring of Mulsemedia Applications

期刊

IEEE MULTIMEDIA
卷 28, 期 1, 页码 7-16

出版社

IEEE COMPUTER SOC
DOI: 10.1109/MMUL.2020.3011383

关键词

Sensory systems; Media; Synchronization; Task analysis; Transform coding; Audio systems; Mulsemedia; Multimedia applications and multimedia signal processing; Mulsemedia; Content-driven Authoring; Semi-automatic Authoring

资金

  1. Coordination for the Improvement of Higher Education Personnel-Brazil (CAPES) [001]
  2. FAPERJ
  3. CNPq
  4. CAPES PRINT Program

向作者/读者索取更多资源

This article presents a new method for semiautomatic definition of sensory effects in authoring tools, using software components to assist in indicating activation moments of sensory effects according to author preferences. This method is expected to considerably reduce the effort of synchronizing audiovisual content with sensory effects, particularly by easing the author's repetitive task of synchronizing recurring effects with lengthy media.
Synchronization of sensory effects with multimedia content is a nontrivial and error-prone task that can discourage authoring of mulsemedia applications. Although there are authoring tools that perform some automatic authoring of sensory effect metadata, the analysis techniques that they use are not generally enough to identify complex components that may be related to sensory effects. In this article, we present a new method, which allows the semiautomatic definition of sensory effects in an authoring tool. We outline a software component to be integrated into authoring tools that uses content analysis assistance to indicate moments of sensory effects activation, according to author preferences. The proposed method was implemented in the STEVE 2.0 authoring tool and an evaluation was performed to assess the precision of the generated sensory effects in comparison with human authoring. This solution is expected to considerably reduce the effort of synchronizing audiovisual content with sensory effects-in particular, by easing the author's repetitive task of synchronizing recurring effects with lengthy media.

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