4.8 Article

Underwater Single Image Color Restoration Using Haze-Lines and a New Quantitative Dataset

出版社

IEEE COMPUTER SOC
DOI: 10.1109/TPAMI.2020.2977624

关键词

Image color analysis; Attenuation; Image restoration; Channel estimation; Three-dimensional displays; Cameras; Optical attenuators; Image processing and computer vision; image enhancement; computational photography; image restoration; image color analysis

资金

  1. Leona M. and Harry B. Helmsley Charitable Trust
  2. Maurice Hatter Foundation
  3. Israel Science Foundation [680/18]
  4. Ministry of Science, Technology and Space grant [3 - 12487]
  5. Technion Ollendorff Minerva Center for Vision and Image Sciences
  6. Mediterranean Sea Research Center of Israel
  7. Apple Graduate Fellowship

向作者/读者索取更多资源

Underwater images suffer from color distortion due to light attenuation, making color restoration difficult. The method considers multiple spectral profiles of different water types and simplifies the problem by estimating global parameters. The dataset of 57 images allows for rigorous evaluation of restoration algorithms.
Underwater images suffer from color distortion and low contrast, because light is attenuated while it propagates through water. Attenuation under water varies with wavelength, unlike terrestrial images where attenuation is assumed to be spectrally uniform. The attenuation depends both on the water body and the 3D structure of the scene, making color restoration difficult. Unlike existing single underwater image enhancement techniques, our method takes into account multiple spectral profiles of different water types. By estimating just two additional global parameters: the attenuation ratios of the blue-red and blue-green color channels, the problem is reduced to single image dehazing, where all color channels have the same attenuation coefficients. Since the water type is unknown, we evaluate different parameters out of an existing library of water types. Each type leads to a different restored image and the best result is automatically chosen based on color distribution. We also contribute a dataset of 57 images taken in different locations. To obtain ground truth, we placed multiple color charts in the scenes and calculated its 3D structure using stereo imaging. This dataset enables a rigorous quantitative evaluation of restoration algorithms on natural images for the first time.

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