FRESCO WALL PAINTING AND ITS REGIONAL MODIFICATIONS

The article analyses the regional specific features of fresco mural painting. Comparison of ancient Chinese and Kyivan Rus frescoes and shows their differences; proves that the borrowed art (introduced Buddhist in China and Byzantine in Kyivan Rus) undergoes modifications in the technique of execution and plot-image concept on the local ground. The study aims to analyse the source base and, based on its processing, field surveys and existing practical restoration experience, to determine the characteristics of production technologies and restoration techniques of Kyivan Rus mural painting. The scientific novelty of the research lies in the introduction into a wide scientific circulation of narrow-profile restoration documentation of the historical and architectural monuments of the pre-Mongol era in Ukraine, which are included in the UNESCO World Heritage List.

Automated summary

This article analyzes the regional specific features of fresco mural painting and compares ancient Chinese and Kyivan Rus frescoes to show their differences. The study aims to determine the characteristics of production technologies and restoration techniques of Kyivan Rus mural painting by analyzing source materials and conducting field surveys.