期刊
SOCIAL SEMIOTICS
卷 33, 期 3, 页码 601-620出版社
ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
DOI: 10.1080/10350330.2021.1907180
关键词
Opera rehearsals; multimodal interaction analysis; depictions; introversive semiosis; aesthetics; social interaction
This paper discusses how opera rehearsal participants use depictions to propose and convey information, and the role of depictions in the artistic creation. By using depictions, participants can simultaneously self-reference and reference prototypes of mundane behavior, thus accomplishing the artistic labor of creating a performance.
This paper focuses on how opera rehearsal participants use depictions to accomplish proposals; they use a locally created scene, comprised of concrete embodiments to represent another physically or temporally distant scene. Whereas earlier work investigating depictions in interaction has mainly focused on demonstrations in pedagogical scenarios, this paper will discuss how depictions serve the ongoing creation, and aesthetic negotiation, of a yet-to-be-artistic product. In simultaneously creating and referencing iterations of this artwork, participants' depictions are both self-referential, in introversive semiosis, as well as externally referencing prototypes of mundane behaviour, in extroversive semiosis. We argue that the negotiations of the extroversive and introversive references through depiction constitute the artistic labour of creating a performance. Furthermore, we suggest that the iterative nature of rehearsing an artistic piece demonstrates analogies between introversive semiosis and interactional techniques for projection and depiction. Opera is accomplished through dynamic collaborative social processes, techniques for which include the depictions described in this paper.
作者
我是这篇论文的作者
点击您的名字以认领此论文并将其添加到您的个人资料中。
推荐
暂无数据