期刊
BRITISH JOURNAL OF AESTHETICS
卷 -, 期 -, 页码 -出版社
OXFORD UNIV PRESS
DOI: 10.1093/aesthj/ayad024
关键词
-
Art and its Objects by Richard Wollheim, published in 1968, had a significant impact on aesthetics and the philosophy of art. Jerrold Levinson's intentional-historical theory of art, influenced by Wollheim's ideas, has remained influential. Wollheim's understanding of art's historicity draws on the literature of theoretical art history, bringing old art-historical problems into the realm of philosophy.
Art and its Objects by Richard Wollheim had a major impact on aesthetics and the philosophy of art when it was first published in 1968. Of the arguments offered in response to Wollheim's essay, Jerrold Levinson's intentional-historical theory of art has been one of the most enduring. Levinson was influenced by three key sections of Wollheim's enquiry: Section 40, which considers the claim that works of art fall under a concept of art, or that we are disposed to regard certain things as works of art; and Sections 60 and 61, which deal with art as a historical phenomenon, and problems arising from its identification and interpretation. To date, these claims have been raised as points of contention in the philosophy of art. This paper takes a different perspective. Wollheim's understanding of art's historicity draws explicitly on the literature of theoretical art history. Via Wollheim, old art-historical problems will reappear as new philosophical questions.
作者
我是这篇论文的作者
点击您的名字以认领此论文并将其添加到您的个人资料中。
推荐
暂无数据