Designing the Antique: Deconstructing the Architecture of Jan Gossart

The painter and architect Jan Gossart (ca. 1478-1532) was one of the foremost designers of all'antica architecture of his day within the Low Countries. His designs came to life in paint but were later written off as ignorant attempts at creating the 'true' Renaissance architecture, as standardized by Sebastiano Serlio. The article discusses Gossart as an architect by examining four key works by his hand: Neptune and Amphitrite (1516), a wing of the Salamanca Altarpiece (1521), Danae (1526), and the Virgin and Child in Madrid (ca. 1527-1530). Using digital reconstructions of Gossart's pictorial space, this article showcases Gossart's architectural ingenuity and familiarity with architectural practice. Technical analysis has shown that elaborate and intricate underdrawings, now combined with computer-rendered reconstructions of the space in plan, elevation, and three-dimensional models, include carefully thought-out architectural plans at the foundation of each of these works, providing insights into Gossart's design process. By carefully studying and deconstructing the architecture in these works, we can trace some of Gossart's sources - not just Rome but other cities he visited in 1508-1509 as part of the retinue of Philip of Burgundy. He translated his Italian experiences into architectural designs that were at the forefront of his time, adding to the discussion of the reception of ancient and all'antica architecture and the development of the profession of architect by focusing on other arts.

Automated summary

The article discusses the architectural works of painter and architect Jan Gossart, showcasing his innovation and skill in architectural design. Through digital reconstructions and technical analysis, insights into his design process and influences from ancient architecture are revealed.