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Images as Preachers The Role of Marian Imagery in the Religious Indoctrination of the Moriscos of the Albayzin of Granada

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MEDIEVAL SERMON STUDIES
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ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
DOI: 10.1080/13660691.2023.2269524

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Marian images; Virgin Mary; conversion; preaching; religious instruction; Hernando de Talavera; Moriscos; Granada

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This paper explores how Hernando de Talavera used the cast sculptures of the Virgin to conduct missionary activity among Granada's Islamic population. He interpreted these sculptures as representations of an Islamic vision of Mary and used them as a means to instruct the newly converted Morisco population in their new faith.
This paper explores how Hernando de Talavera (1428-1507), the first bishop of Granada, used the cast sculptures of the Virgin commissioned by Queen Isabella the Castile (1451-1504), for the parishes of the Albayzin, the Morisco quarter, as an essential tool for his missionary activity among Granada's native Islamic population. It enquires how Talavera granted these Marian cast sculptures a central role in the Albayzin's liturgical celebration, mediating their interpretation by devotional texts, such as his Marian liturgical works or his translation and commentary of the Vita Christi of the Franciscan Francesc Eiximenis (1327-1409), through which he wished to present these images as representations of an 'Islamicate' vision of Mary, as an enlightened prophetess who would function as the ideal preacher to instruct the newly converted Morisco population in the principles of their new faith.

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