期刊
SHAKESPEARE
卷 -, 期 -, 页码 -出版社
ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
DOI: 10.1080/17450918.2023.2254278
关键词
First Folio; Folger Shakespeare Library; Emily Jordan Folger; Henry Clay Folger; Horace Howard Furness; New Variorum edition
The Folger Shakespeare Library possesses 82 copies of First Folios, accounting for over a third of the surviving total of 235 copies worldwide. The married couple Henry and Emily Folger obtained these copies from 1893 to 1928. Most posthumous narratives regarding the Folgers' collection of First Folios primarily focus on Henry Clay Folger's biography and financial support, while neglecting Emily Jordan Folger's contribution. This article argues that recognizing Emily Jordan Folger's role is not only an ethical obligation but also helps us understand the intellectual framework behind the Folgers' relentless pursuit of acquiring multiple copies of the First Folio, which is revered as the authentic text of Shakespeare in late 19th century USA.
The Folger Shakespeare Library has 82 copies of First Folios, which is more than a third of the surviving total of 235 copies in the world. The married couple Henry and Emily Folger acquired these copies between 1893 and 1928. Most of the available posthumous narratives that discuss the Folgers' zeal for collecting First Folios concentrate primarily on Henry Clay Folger's biography and financial backing of the couple's book collecting project. Only secondarily, if at all, is the focus on Emily Jordan Folger's contribution to the collection. By calling attention to her Master's thesis 'The True Text of Shakespeare', completed at Vassar College in 1896, this article suggests that greater acknowledgment of Emily Jordan Folger and her role in the collaboration is not just an ethical obligation but also helps us understand the intellectual framework of the Folgers' seemingly compulsive efforts to collect, above all, multiple copies of the First Folio. This understanding, furthermore, casts light on the Bardolatrous reverence of the First Folio as a fetishistic cultural embodiment of 'The True Text of Shakespeare' in late nineteenth century USA.
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