Modeling Therapy as Discourse in Twentieth-Century American Literature

This article uses quantitative methods of cultural analytics in order to trace points of contact between the discourse of therapy as it emerges in the encounter between patient and clinician and in the language of twentieth-century US novels. Our computational analysis moves away from considering therapy as a diagnostic tool, either for characters or authors, and towards thinking about therapy as a discourse: a set of words (semantics) in a pattern of proportions (parts of speech, grammar). Our computational models identify excerpts of novels that contain therapy discourse and, in so doing, reveal the ways that the discourse of therapy exists in the novel beyond its expected pathways of entry (through setting, plot, and characterization). In close reading these excerpts, we observe the consistent use of a representational aesthetics of psychological interiority, one that endeavors to approximate a realistic experience of living in and through our interactions with one another. We propose that therapy as a discourse is not strictly a clinical endeavor but is more broadly an intersubjective enterprise-a process-oriented linguistic phenomenon that arises in a more heterogeneous canon of novels than those in which critics have traditionally thought to look.Using cultural analytical methods to explore therapy as a discourse helps us . . . to consider therapy and the novel as interdependent terms of analysis and at heretofore impossible scales.

Automated summary

This article uses cultural analytics to explore the connections between therapy discourse in the encounter between patients and clinicians and in the language of 20th-century US novels. By analyzing excerpts of novels, the study uncovers the ways in which therapy discourse exists beyond the expected pathways in novels. It proposes therapy as a discourse that is not limited to clinical practice but also extends to a heterogeneous canon of novels.