3.8 Article

Postfictional Theatre, Institutional Aesthetics, and the German Theatrical Public Sphere

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CAMBRIDGE UNIV PRESS
DOI: 10.1017/S1054204323000035

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The traditional divide between fictional theatrical organizations and factual mass media is being challenged in German theatre. The shift towards postfictional involves institutional changes that impact theatre as a medium and has sparked political and public resistance.
The traditional institutional split between theatrical organizations devoted to the fictional and mass media devoted to the factual is being challenged in German theatre. The move to the postfictional involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.

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