4.5 Article

The only surviving Medieval codex of Galician-Portuguese secular poetry: tracing history through luxury pink colors

期刊

HERITAGE SCIENCE
卷 11, 期 1, 页码 -

出版社

SPRINGER
DOI: 10.1186/s40494-023-00863-1

关键词

Brazilwood recipes; Paint formulations; Molecular characterization; Ajuda Songbook

向作者/读者索取更多资源

The Ajuda Songbook is a unique illuminated manuscript, created in the late thirteenth century to early fourteenth century, that represents the only surviving codex of Galician-Portuguese secular poetry. With its vibrant colors, particularly the lapis lazuli blue and brazilwood pink, the manuscript showcases a desire to produce a luxurious work. Scientific analysis revealed different formulations for the pink shades compared to later books and reconstructions, shedding light on the earliest known use of brazilwood in artworks. By reproducing the colors using infrared spectroscopy and applying chemometrics, the main ingredients of the pink paint were identified as calcium carbonate, lead white, and a polysaccharide binder resembling mesquite gum.
The Ajuda Songbook is an exceptional illuminated manuscript being the only surviving codex of Galician-Portuguese secular poetry; it was produced in the end of the thirteenth century, beginning of the fourteenth century. The diversity of colors accentuated by the presence of lapis lazuli blue and brazilwood pink, demonstrates the desire to produce a sumptuous manuscript. Pink is, in this context, a luxury color and its identification attests to one of the earliest known occurrences of brazilwood in artworks. Scientific analysis showed, for the light pinks, a different formulation from that found in fifteenth-century books of hours and from all historical reconstructions of these colors prepared to date. This knowledge was used to further expand a database previously built in our laboratory and applied to the characterization of pink shades in the Ajuda Songbook. Thirteen brazilwood recipes were selected from seven Medieval treatises and reference materials were prepared based on such historical information. Three types of colors were achieved, defined as translucent rose, rose, and red. The translucent rose was obtained from recipes where egg white is used for extraction, and no other additives are present; rose from recipes with calcium carbonate; and red from a wider range of recipes, in which these ingredients are not mentioned. These colors were then prepared as paints, and analytical results were thus compared with data from the light pinks seen in the Ajuda Songbook's architectural backgrounds. We were able to reproduce the pink very well using infrared spectroscopy, identifying its main ingredients: calcium carbonate as filler; lead white as the pigment that produces light pink; and the binder as a polysaccharide with a fingerprint similar to mesquite gum. For the chromophore color, the application of chemometrics approaches to molecular fluorescence spectra highlighted a high degree of similarity with the paint reconstructions.

作者

我是这篇论文的作者
点击您的名字以认领此论文并将其添加到您的个人资料中。

评论

主要评分

4.5
评分不足

次要评分

新颖性
-
重要性
-
科学严谨性
-
评价这篇论文

推荐

暂无数据
暂无数据