期刊
PRIMERJALNA KNJIZEVNOST
卷 45, 期 3, 页码 145-159出版社
SLOVENE COMPARATIVE LITERATURE ASSOC
DOI: 10.3986/pkn.v45.i3.09
关键词
testimony literature poetry memory; war; trauma Albanian literature; Croatian literature; Bajraj; Xhevdet; Bodro?i?; Ivana
This article explores the representation, transmission, and circulation of war memory, as well as the role of personal and collective memory in shaping meanings, attitudes, and identities. Through the works of poets Xhevdet Bajraj and Ivana Bodrozic, the intersection of war memory and the concept of trauma is examined, with a focus on the concept of poetry as testimony and its relevance to contemporary literature. The article begins with a theoretical introduction, followed by the poets' works, and concludes with a theoretical offshoot on the topic.
This article examines the representation, transmission, and circulation of war memory, and the role of personal and collective memory in shaping meanings, attitudes, and identities. The discussion will alternate between two aspects of the topic: the particular truth claim to truth that witness literature puts forward, and the process that leads from catastrophe to creativity, turning the victim into a writing witness who can undo forgetting and denial. War memory and its intersection with the concept of trauma is explored in the works of authors Xhevdet Bajraj and Ivana Bodrozic, renowned poets of contemporary literature in their respective countries. Their views provide a geopoetic and cultural background for a theoretical discussion of literary and cultural aspects of war memory. The main objective is to examine the concept of poetry as testimony and its relevance to contemporary literature in Croatia and Kosovo. The theorizing introduction is followed by poems by authors, but at the end there is a theoretical offshoot on the topic.
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