期刊
RUSSIAN LITERATURE
卷 138, 期 -, 页码 63-84出版社
ELSEVIER
DOI: 10.1016/j.ruslit.2022.11.010
关键词
Karel eapek; Albert Camus; Plague; Fascism; Democracy
This essay examines two crucial examples of twentieth-century plague writing through a psychoanalytic and political lens, arguing that psychic repression lies at the heart of both Karel eapek's play The White Sickness, and Albert Camus's novel The Plague. The nature of the calamity in both cases is political rather than biomedical, questioning how fascism could triumph in apparently stable democracies.
This essay examines two crucial examples of twentieth-century plague writing through a psychoanalytic and political lens, arguing that psychic repression lies at the heart of both Karel eapek's play The White Sickness, written on the eve of the Nazi in-vasion of Czechoslovakia, and Albert Camus's novel The Plague, published ten years later in 1947 but begun in 1942 during the German occupation of France. I shall ar-gue that the nature of the calamity in both cases is political rather than biomedical: how could fascism triumph in an apparently stable democracy like interwar France or Czechoslovakia?& COPY; 2022 Elsevier B.V. All rights reserved.
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