Wrap You Up in My Blue Hair: Vocaloid, Hyperpop, and Identity in Ashnikko Feat. Hatsune Miku - Daisy 2.0

In 2020, hyperpop artist Ashnikko released a remix of her single Daisy with virtual idol Hatsune Miku. While the rights to any commercial use of Miku's voice and likeness are owned by Crypton Future Media, anyone with Vocaloid software can produce songs for her. While scholars have found that fan-produced performances are foundational to Miku's development as a performer, less attention has been paid to how intercultural commercial ventures have shaped her identity. This paper employs a textual analysis of the Daisy 2.0 music video and an observation of comments posted on the video's YouTube upload to demonstrate how the video's narrative and its surrounding audience discourse both limit and expand Miku's cultural signifiers. While fluid approaches to identity afforded by the hyperpop and virtual idol subcultures hold potential to liberate these performers from hegemonic notions of gender and sexuality, cultural and commercial constraints still loom large in these spaces.

Automated summary

This paper analyzes the impact of the collaboration between Ashnikko and virtual idol Hatsune Miku to explore how intercultural commercial ventures shape Miku's identity. The study demonstrates that both the narrative of the music video and the audience discourse in the comments section contribute to a complex portrayal of Miku's cultural signifiers. While there is potential for fluid approaches to identity within the hyperpop and virtual idol subcultures, cultural and commercial constraints still play a significant role.