期刊
RUSSIAN LITERATURE
卷 127, 期 -, 页码 71-97出版社
ELSEVIER
DOI: 10.1016/j.ruslit.2021.10.005
关键词
Russian literature; Russophone literature; Ukrainian literature; Vladimir Rafeenko; Post-Maidan era
The aim of this paper is to examine the changes in the position and self-identification of Russophone writers in the Ukrainian literary context over the past two decades (2000-2019). The focus of the study is on Vladimir Rafeenko's literary experience in independent Ukraine and the evolution of Russophone cultural paradigm and its reception in the national scene.
The aim of this paper is to understand how the position and self-identification of Russophone writers in the Ukrainian literary context have changed over the last two decades (2000-2019). The prime example of the afterlife metaphorically experienced by Vladimir Rafeenko (b. 1969, Donetsk) in independent Ukraine will be the main focus of the investigation. Rafeenko's literary experience in post-Soviet (and post-Maidan) Ukraine revolves around some of the main issues concerning the evolution of the Russophone cultural paradigm and its reception in the national scene: from marginality to recognition; from minority to self-determination; and, eventually, even to literary bilingualism. In this paper, these dynamics will be analysed through reading and interpreting some excerpts from Rafeenko's most significant works, emblematically reflecting the emergence of his identification as a Ukrainian Russophone author in the post-Maidan era. (C) 2021 Elsevier B.V. All rights reserved.
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