4.5 Review

The archaeometry of ochre sensu lato: A review

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First large-scale provenance study of pigments reveals new complex behavioural patterns during the Upper Palaeolithic of south-western Germany

E. C. Velliky et al.

Summary: The study presents the first ochre provenance study in Central Europe, showing long-term selection strategies by inhabitants of cave sites in south-western Germany during the Upper Palaeolithic. Local ochre sources were continuously and systematically accessed for about 29,500 years, with occasional long-distance ochre acquisition events during the Aurignacian period, indicating higher mobility than previously suspected. The results reveal previously unknown long-term, complex spatio-temporal behavioural patterns during the earliest presence of Homo sapiens in Europe.

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Marina Gallinaro et al.

Summary: Physical and chemical analyses have been widely applied to study rock art contexts, but are still at an early stage in Africa. Reliability issues, particularly concerning chronology, arise due to various biodegradation processes affecting rock surfaces and pigments. Establishing protocols for sampling and analysis is urgently needed, as shown through the preliminary results of a new project in southern Ethiopia.

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A multi-technique approach to contextualising painted rock art in the Central Pilbara of Western Australia: Integrating in-field and laboratory methods

Jillian Huntley et al.

Summary: Scientific techniques have been routinely applied in archaeological research for nearly 70 years, but some artefacts with cultural significance require careful handling of sampling. This study in Western Australia's Central Pilbara region used a multi-technique program to analyze a painted rock art site, uncovering the use of local materials in art production and ubiquitous ochre processing at the site and nearby shelters. The nuanced interpretations from scientific analyses add depth to understanding rock art and suggest that the art and ochre processing were part of everyday activities in the study area.

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Characterization and sources of Paleolithic-Mesolithic ochre from Coves de Santa Maira (Valencian Region, Spain)

J. Emili Aura Tortosa et al.

Summary: This study investigates the exploitation of local ochre sources at the Coves de Santa Maira site in the Spanish Mediterranean region during different archaeological phases. By conducting morphological, mineralogical, and chemical analyses, the study provides interesting data about iron-based mineral exploitation during Prehistory in the studied region.

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Dating Iberian prehistoric rock art: Methods, sampling, data, limits and interpretations

Blanca Ochoa et al.

Summary: This paper evaluates and publishes an up-to-date database of all numerical dates available for Iberian prehistoric rock art sites, reviewing methods applied to Iberian rock art and discussing limitations and issues affecting the results. The most relevant results related to each cultural graphic tradition are presented and discussed, assessing their value and limitations. The future of rock art dating involves combining traditional methods with numerical methods, and addressing issues such as group mobility, cultural networks, and reutilization of symbolic elements.

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Oldest cave art found in Sulawesi

Adam Brumm et al.

Summary: Indonesia is home to some of the oldest surviving cave art, dating back at least 43,900 years. Recent discoveries in the same region revealed even older figurative cave paintings of Sulawesi warty pigs, with the oldest dating back to 45.5 ka. These findings suggest Indonesia's significant role in the history of rock art.

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Use of non-traditional heavy stable isotopes in archaeological research

J. A. Stephens et al.

Summary: Recent analytical developments in mass spectrometry have enabled accurate measurements of "non-traditional" isotopic ratios of elements, with research aiming to infer the geological provenance of archaeological materials. However, limited ranges of isotopic ratios and extensive overlap between geological sources currently hinder the usefulness of these isotopic systems for provenance inference.

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U-series dating of carbonate accretions reveals late Neolithic age for the rock paintings in Cangyuan, southwestern China

Qingfeng Shao et al.

Summary: The ancient rock paintings on the limestone cliffs in Cangyuan County, southwestern China, depict scenes of daily life and activities like dancing, hunting, and fighting, suggesting a sedentary lifestyle of animal herding and cultivation. Dating of carbonate accretions associated with the rock paintings revealed a time interval of around 3800-2700 years BP, indicating a long-lasting tradition of rock painting in the region during the late Neolithic period.

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Manuel David Peris-Diaz et al.

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Invasive and Non-Invasive Analyses of Ochre and Iron-Based Pigment Raw Materials: A Methodological Perspective

Laure Dayet

Summary: Naturally occurring iron-bearing materials have been used by early human populations and play a significant role in archaeological studies. Analyzing ochre materials poses methodological challenges due to instrumental limits and post-depositional alterations, which need to be considered for rigorous archaeological inferences.

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Ages for Australia's oldest rock paintings

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Summary: Radiocarbon dating of mud wasp nests in the Kimberley region of Western Australia has established ages of up to 17,000 years for rock art from the earliest known, naturalistic, period of Australian Aboriginal figurative paintings. The results suggest that paintings in this style proliferated between 17,000 and 13,000 years ago, with one kangaroo painting securely dated to between 17,500 and 17,100 years.

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Emilie Chalmin et al.

Summary: Although red is the main color used in prehistoric paintings, there is a wide variety of red coloring matter in prehistory, which may have undergone various preparations, mixtures, or alterations. Using spectro-radiometry, it is possible to distinguish different coloring materials based on their spectral signature and understand the relationship with their mineral composition.

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The symbolic role of the underground world among Middle Paleolithic Neanderthals

Africa Pitarch Marti et al.

Summary: Researchers analyzed the red pigment in Cueva de Ardales in Malaga, Spain, finding that the paintings are not natural and the composition of the paint suggests recurrent artistic activity, further reinforcing the view that Neanderthals used these paintings symbolically.

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Paleoindian ochre mines in the submerged caves of the Yucatan Peninsula, Quintana Roo, Mexico

Brandi L. MacDonald et al.

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