Types of boredom and other learning activity emotions: A person-centred investigation of inter-individual data

Whether boredom is a unitary construct or if multiple types of boredom exist is a long-standing debate. Recent research has established the existence of boredom types based on frequency observations of boredom by experience sampling. This work tries to expand our understanding of boredom and replicate these previous findings by applying intensity observations of cross-sectional type for four discrete learning activity emotions: boredom, anxiety, hopelessness, and enjoyment. Latent class analysis based on activity emotion scores from 9863 first-year students of a business and economics program results in seven profiles. Five of these profiles allow a linear ordering from low to high control and value scores (the direct antecedents of emotions), low to high positive, and high to low negative emotions. Two profiles differ from this pattern: one 'high boredom' profile and one 'low boredom' profile. We next compare antecedent relationships of activity emotions at three different levels: inter-individual, inter-class or between classes, and intra-class or within classes. Some of these relationships are invariant for the choice of level of analysis, such as hopelessness. Other relationships, such as boredom, are highly variant: within-class relationships differ from inter-individual relationships. Indeed, our results confirm that boredom is not a unitary construct. The types of boredom found and their implications for educational practice are discussed and shared in this article.

Automated summary

Recent research has confirmed the existence of boredom types based on frequency observations of boredom by experience sampling. The study attempts to expand our understanding of boredom and replicate previous findings by applying intensity observations of cross-sectional type. Results identify seven profiles based on activity emotion scores, with two profiles showing high and low levels of boredom respectively, highlighting the complexity and variability of boredom as an emotion.