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A New Classification of Perceptual Interactions between Odorants to Interpret Complex Aroma Systems. Application to Model Wine Aroma

期刊

FOODS
卷 10, 期 7, 页码 -

出版社

MDPI
DOI: 10.3390/foods10071627

关键词

odours; aroma vectors; sensory perception; odorants; quality; interaction; suppression; enhancement; modelling; perceptual integration

资金

  1. Spanish Ministry of Economy and Competitiveness (MINECO) [AGL-2017-87373-C3-1-R]
  2. European Social Fund
  3. Spanish National Research Agency
  4. Ministry of Science, Innovation, and Universities
  5. European Social Fund [RYC2019-027995-I/AEI/10.13039/501100011033]
  6. Diputacion General de Aragon

向作者/读者索取更多资源

Perceptual interactions in odorant composition can be classified into competitive, cooperative, destructive, and creative categories. Competitive interactions are the most common, while destructive and creative interactions are less frequent but have significant effects on perception quality and intensity.
Although perceptual interactions are usually mentioned and blamed for the difficulties in understanding the relationship between odorant composition and aromatic sensory properties, they are poorly defined and categorised. Furthermore, old classifications refer mainly to effects on the odour intensity of the mixture of dissimilar non-blending odours and do not consider odour blending, which is one of the most relevant and influential perceptual interactions. Beginning with the results from classical studies about odour interaction, a new and simple systematic is proposed in which odour interactions are classified into four categories: competitive, cooperative, destructive and creative. The first categories are most frequent and display a mild level of interaction, being characterised mostly by analytical processing. The last two are less frequent and activate (or deactivate) configurational processes of object recognition with deep effects on the quality and intensity of the perception. These interactions can be systematically applied to interpret the formation of sensory descriptors from the odorant composition, suggesting that qualitatively the system works. However, there is a lack of quantitative data to work with odour intensities reliably, and a pressing need to systematise the effects of creative interactions.

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