4.7 Article

The Music of Silence: Part I: Responses to Musical Imagery Encode Melodic Expectations and Acoustics

期刊

JOURNAL OF NEUROSCIENCE
卷 41, 期 35, 页码 7435-7448

出版社

SOC NEUROSCIENCE
DOI: 10.1523/JNEUROSCI.0183-21.2021

关键词

auditory cortex; cortical decoding; melodic expectation; musical imagery; predictive coding

资金

  1. ERC [787836]
  2. Air Force Office of Scientific Research
  3. National Science Foundation
  4. FrontCog Grant [ANR-17-EURE-0017]
  5. PSL Idex [ANR-10-IDEX-0001-02]
  6. Research Chair on Beauty Studies PSL-L'Oreal
  7. European Research Council (ERC) [787836] Funding Source: European Research Council (ERC)

向作者/读者索取更多资源

Musical imagery involves hearing music in the mind without physical action or external stimulation. Studies have shown overlapping but distinctive neural responses between imagined music and actual listening, with melodic expectations playing a similar role in both scenarios. Neural signals from imagery can accurately predict responses, similar to listening tasks, indicating the impact of imagined music on the brain.
Musical imagery is the voluntary internal hearing of music in the mind without the need for physical action or external stimulation. Numerous studies have already revealed brain areas activated during imagery. However, it remains unclear to what extent imagined music responses preserve the detailed temporal dynamics of the acoustic stimulus envelope and, crucially, whether melodic expectations play any role in modulating responses to imagined music, as they prominently do during listening. These modulations are important as they reflect aspects of the human musical experience, such as its acquisition, engagement, and enjoyment. This study explored the nature of these modulations in imagined music based on EEG recordings from 21 professional musicians (6 females and 15 males). Regression analyses were conducted to demonstrate that imagined neural signals can be predicted accurately, similarly to the listening task, and were sufficiently robust to allow for accurate identification of the imagined musical piece from the EEG. In doing so, our results indicate that imagery and listening tasks elicited an overlapping but distinctive topography of neural responses to sound acoustics, which is in line with previous fMRI literature. Melodic expectation, however, evoked very similar frontal spatial activation in both conditions, suggesting that they are supported by the same underlying mechanisms. Finally, neural responses induced by imagery exhibited a specific transformation from the listening condition, which primarily included a relative delay and a polarity inversion of the response. This transformation demonstrates the top-down predictive nature of the expectation mechanisms arising during both listening and imagery.

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