4.5 Article

Pyrotechnological connections? Re-investigating the link between pottery firing technology and the origins of metallurgy in the Vinca Culture, Serbia

期刊

JOURNAL OF ARCHAEOLOGICAL SCIENCE
卷 118, 期 -, 页码 -

出版社

ACADEMIC PRESS LTD- ELSEVIER SCIENCE LTD
DOI: 10.1016/j.jas.2020.105123

关键词

Pyrotechnology; Late Neolithic; Vinca culture; Ceramic technology; Dark-burnished pottery; Graphite decoration; Early metallurgy

资金

  1. Arts and Humanities Research Council (AHRC)
  2. Institute for Archaeo-Metallurgical Studies (IAMS)
  3. Funds for Women Graduates (FfWG)
  4. Excellence Initiative of the Eberhard Karls Universitat Tubingen
  5. Ministry for Science, Research and Art of BadenWurttemberg

向作者/读者索取更多资源

The present paper re-examines the purported relationship between Late Neolithic/Early Chalcolithic pottery firing technology and the world's earliest recorded copper metallurgy at two Serbian Vinea culture sites, Belovode and Ploenik (c. 5350 to 4600 BC). A total of eighty-eight well-dated sherds including dark-burnished and graphite-painted pottery that originate across this period have been analysed using a multi-pronged scientific approach in order to reconstruct the raw materials and firing conditions that were necessary for the production of these decorative styles. This is then compared to the pymtechnological requirements and chronology of copper smelting in order to shed new light on the assumed, yet rarely investigated, hypothesis that advances in pottery firing technology in the late 6th and early 5th millennia BC Balkans were an important precursor for the emergence of metallurgy in this region at around 5000 BC. The results of this study and the recent literature indicate that the ability to exert sufficiently close control over the redox atmosphere in a two-step firing process necessary to produce graphite-painted pottery could indeed link these two crafts. However, graphite-painted pottery and metallurgy emerge at around the same time, both benefitting from the pre-existing experience with dark-burnished pottery and an increasing focus on aesthetics and exotic minerals. Thus, they appear as related technologies, but not as one being the precursor to the other.

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