期刊
JOURNAL OF MOLECULAR STRUCTURE
卷 1188, 期 -, 页码 31-41出版社
ELSEVIER SCIENCE BV
DOI: 10.1016/j.molstruc.2019.02.067
关键词
Proto-Baroque; Obidos workshop; 17th century; Portuguese painting; Analytical methods; Molecular analysis
资金
- Fundacao para a Ciencia e Tecnologia through program QREN-POPH-typology 4.1. [SFRH/BPD/103315/2014]
- FCT/MCTES/PIDDAC [UID/FIS/04559/2013, UID/Multi/04449/2013]
- Fundação para a Ciência e a Tecnologia [UID/Multi/04449/2013, UID/FIS/04559/2013] Funding Source: FCT
In this work we address the study of three groups painted by Josefa d' Obidos (1630-1684) and by her father Baltazar Gomes Figueira (1604-1674). These painters were the most important pair working in the 17th century in Portugal with a Proto-Baroque style and the materials and techniques used by their workshop are almost unknown. Analytical procedures employed to characterize the materials and painting techniques involve molecular spectroscopy with mu-Confocal Raman (mu-Raman) and Fourier Transform Infrared Spectroscopy (mu-FTIR) in combination with other complementary methods such as X-ray Fluorescence Spectroscopy (XRF), mu-X-ray diffraction (mu-XRD) and Scanning Electron Microscopy with Energy Dispersive spectroscopy (SEM-EDS). Results are compared with the instructions of the most significant coeval Iberian painting treatises, with influence on Obidos workshop. Conclusions of this study bring the first insight on the materials used, technical procedures and evolution from panel to canvas of Obidos painting workshop, particularly highlighting the work of Josefa d' Obidos, the greatest female Portuguese painter of all times. (C) 2019 Elsevier B.V. All rights reserved.
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