Licentia Historica: History and Romance in Mary Shelley's Valperga
Elisabetta Marino
KEATS-SHELLEY REVIEW (2023)
Concourse Wild: Birdsong, Speech, and Wordsworth's Poetry
Francesca Mackenney
WORDSWORTH CIRCLE (2023)
Uphold Me to That End: The Telos of Wordsworth's Poetry
Alexander Hobday
WORDSWORTH CIRCLE (2023)
The Erotic Phenomenon of Charlotte Smith's Flora
David Sigler
WORDSWORTH CIRCLE (2023)
Above the Noise and Stir of Yonder Fields Uplifted: Wordsworth in the High Places
John Williams
WORDSWORTH CIRCLE (2023)
A Long and Clamorous Bray: Echo and Allusion in Peter Bell
Jake Phipps
WORDSWORTH CIRCLE (2023)
Maire Mullins, ed. Hannah Whitman Heyde: The Complete Correspondence.
Gregory Eiselein
WALT WHITMAN QUARTERLY REVIEW (2023)
Walt Whitman: A Current Bibliography, Summer/Fall 2022
Ed Folsom
WALT WHITMAN QUARTERLY REVIEW (2023)
A Long-Lost Eagle Article Puts Walt and Jeff on the Map
Amy Kapp
WALT WHITMAN QUARTERLY REVIEW (2023)
“A Singing Walt from the Mower”: Dylan Thomas and the “Whitmanian [Re]turn” in the Post-War Poetic Culture of the States
M Wynn Thomas
WALT WHITMAN QUARTERLY REVIEW (2023)
The Path of Sound through the Air: Coleridge's Biographia, I. A. Richards, and Twentieth-Century Poetry
Jacob Risinger
WORDSWORTH CIRCLE (2023)
Coleridge's Schelling's Spinoza, or the Biographia Literaria and the Promise of the Wild
Elizabeth Fay
WORDSWORTH CIRCLE (2023)
Antiquarian Polyphony: William Hone's Transformation in / of the 1820s
Kyle Grimes
WORDSWORTH CIRCLE (2023)
Coleridge's Irritability: Reading Theory of Life with Christabel
Catherine Engh
WORDSWORTH CIRCLE (2023)
The Overlooked Mechanics of Chapter 13 in Coleridge's Biographia Literaria
Jocelyn Holland
WORDSWORTH CIRCLE (2023)