Article
Music
AUDIENCE'S PERCEIVED EXPECTANCY AND AUTHENTICITY OF CLASSICAL MUSIC PERFORMANCE BY DIGITAL MUSICAL INSTRUMENT MOBILE APPS
Lee Cheng, Chi Hin Leung, Wing Yan Jasman Pang
Summary: This study examines the audience's perception of classical music concerts performed by ensembles using digital musical instrument (DMI) mobile apps and tablets. The findings show significant positive correlations between participants' enjoyment of classical music, frequency of attending concerts, and expectancy and authenticity. The interviews also address differences in ensemble and instrumental practices and the capabilities of DMI mobile apps.
MUSIC PERCEPTION (2023)
Article
Music
BY THE WATERS OF ARTA JOHN ALLISON EXPLORES THE ONLY GREEK OPERA MARIA CALLAS EVER SANG
John Allison
OPERA NEWS (2023)
Article
Music
THE ATHENIAN CALLAS LUCY CAPLAN ON THE SOPRANO'S EARLY GREEK CAREER
Lucy Caplan
OPERA NEWS (2023)
Record Review
Music
Maximum Swing: The Unissued 1965 Half Note Recordings (Resonance) (Wynton Kelly Trio's)
Josef Woodard
DOWN BEAT (2023)
Article
Music
THE MUSIC OF PERFUME: CROSSMODAL CORRESPONDENCES BETWEEN MUSICAL FEATURES AND OLFACTORY PERCEPTION
Bruno Mesz, Nicolas Gorla, Manuel Zarzo
Summary: This study explores the crossmodal correspondences between music and smell through musical improvisation elicited by olfactory stimuli. The results show correlations between musical parameters and odor characteristics, such as pitch, ambitus, and pitch-class entropy.
MUSIC PERCEPTION (2023)
Article
Music
CALLAS AND HER TENORS ROGER PINES EXAMINES HOW THE SOPRANO AND HER LEADING MEN RESPONDED TO EACH OTHER IN PERFORMANCE
Roger Pines
Summary: This article discusses Maria Callas's collaborations with nearly 60 tenors, examining how she skillfully adapted her voice to match different types of tenor voices. The author focuses on live performances to explore Callas's interactions with her partners.
OPERA NEWS (2023)
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