4.6 Review Book Chapter

Color in complex scenes

Journal

ANNUAL REVIEW OF PSYCHOLOGY
Volume 59, Issue -, Pages 143-166

Publisher

ANNUAL REVIEWS
DOI: 10.1146/annurev.psych.59.103006.093619

Keywords

chromatic adaptation; equivalent-uniform-background hypothesis; color constancy; color and form; color and motion

Funding

  1. NEI NIH HHS [EY-04802] Funding Source: Medline
  2. NATIONAL EYE INSTITUTE [R01EY004802] Funding Source: NIH RePORTER

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The appearance of an objector surface depends strongly on the light from other objects and surfaces in view. This review focuses on color in complex scenes, which have regions of different colors in view simultaneously and/or successively, as in natural viewing. Two fundamental properties distinguish the chromatic representation evoked by a complex scene from the representation for an isolated patch of light. First, in complex scenes, the color of an object is not fully determined by the light from that object reaching the eye. Second, the chromatic representation of a complex scene contributes not only to hue, saturation, and brightness, but also to other percepts such as shape, texture, and object segmentation. These two properties are cornerstones of this review, which examines color perception with context that varies over space or time, including color constancy, and chromatic contributions to such percepts as orientation, contour, depth, and motion.

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