At least in person there would have been a cup of tea': interviewing via Skype

Fieldwork is being stretched in new directions across time and space. In this article we examine the kinds of emotional and affective encounters constructed in online interviews. We draw on Lefebvre's notion of rhythm and Ash's concept of affective atmospheres' to help identify moments of disjuncture in research interviews. These moments of disjuncture can be prompted by researchers and participants not being able to share a range of senses (touch, smell and taste) during Skype interviews. The technology does not sink into the background but instead can, for some, prompt an uncomfortable affective atmosphere'. Finally, we argue that bodies, performance, digital interfaces, movement, senses, emotion and affect need to grappled with methodologically as increasing numbers of researchers turn to online interviewing.