Journal
MUSIC PERCEPTION
Volume 37, Issue 3, Pages 185-195Publisher
UNIV CALIFORNIA PRESS
DOI: 10.1525/MP.2020.37.3.185
Keywords
cross-cultural; music; psychology; ethnomusicology; methods
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Funding
- Max Planck Institute for Empirical Aesthetics
- NSF [BCS-1734025]
- Japan Society for the Promotion of Science [19KK0064]
- Keio Global Research Institute Startup Grant
- European Union's Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie [665501]
- Research Foundation Flanders (FWO), Pegasus2 Marie Curie fellowship [12N5517N]
- Harvard Data Science Initiative
- AHRC [AH/N00308X/1] Funding Source: UKRI
- Grants-in-Aid for Scientific Research [19KK0064] Funding Source: KAKEN
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MANY FOUNDATIONAL QUESTIONS IN THE psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of music and culture.
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