4.6 Article

ONTOLOGY, LEVELS OF SOCIETY, AND DEGREES OF GENERALITY: THEORIZING ACTORS AS ABSTRACTIONS IN INSTITUTIONAL THEORY

Journal

ACADEMY OF MANAGEMENT REVIEW
Volume 45, Issue 3, Pages 570-595

Publisher

ACAD MANAGEMENT
DOI: 10.5465/amr.2014.0266

Keywords

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Funding

  1. Ministry of Education of the Republic of Korea
  2. National Research Foundation of Korea [NRF-2018S1A5A2A03030694]
  3. National Research Foundation of Korea [2018S1A5A2A03030694] Funding Source: Korea Institute of Science & Technology Information (KISTI), National Science & Technology Information Service (NTIS)

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The term actor is a central yet contested construct in institutional theory. Regardless of one's position, institutional theory requires a scaffolding that acknowledges the novelty and diversity of actor analyses and facilitates the commensurability, application, and reach in scholarly uses of the term. We put forth a view of actor as an abstraction that consists of three core elements: (1) the level(s) of society that claims about actors occupy (e.g., from individual to organizational to societal), (2) the degree of generality that claims about actors reach (i.e., from concrete to abstract), and (3) the essential features that constitute actors (i.e., ontology). Our lens pushes beyond the prolific use of the term by providing a foundation for identifying and positioning actor-based studies. It also delineates reference sets of actor-based scholarship, even absent of the term altogether, so as to identify where conceptual specifications converge, expand, complement, or compete. Our lens also provides a means of relating actor-based analyses to one another in ways that distinguish the quality of the actor specification from its novelty or empirical validity. In so doing, we move the agenda forward on the analyses of actor as both explanandum and explanans.

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