4.3 Article

Trickstery: pluralising stigma in international society

Journal

EUROPEAN JOURNAL OF INTERNATIONAL RELATIONS
Volume 27, Issue 1, Pages 232-257

Publisher

SAGE PUBLICATIONS LTD
DOI: 10.1177/1354066120946467

Keywords

Trickstery; norms; diplomacy; stigma; culture; satire

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International politics is often seen as a binary opposition between oppressor and oppressed, but attention to power hierarchies is crucial. The practice of trickstery in Russia challenges norms and produces normative challenges. The trickster unsettles traditional hierarchies and reflects the complexity of international society.
International politics is often imagined via a binary opposition between the oppressor and the oppressed. Attention to entrenched hierarchies of power is essential in the study of international politics. However, taking this division too rigidly can obfuscate the very mechanisms of power that must be understood in order to grasp these hierarchies. We identify one such mechanism in the practice of trickstery, particularly as practiced in the context of Russia's ambivalent and conflicted place in international society. Through the dynamics of trickstery, we show the workings of stigmatisation to be a plural phenomenon, giving rise to various normative challenges. The trickster is both conformist and deviant, hero and anti-hero - a plural figure both reflecting the rich cultural texture of international society and contesting its hierarchies. The trickster particularly unsettles the ideal liberal (global) public sphere through its simultaneous performance of emancipatory and anti-emancipatory logics. In this, trickstery produces normatively undecidable situations that exceed the analytical capacities of, for example, the strategic use of norms, norm contestation, and stigma management literatures. We find trickstery to be encapsulated in the contemporary international situation of Russia, while recognising that its practices are potentially available to other actors with similarly liminal status and cultural repertoires. We particularly analyse the trickster practice of 'overidentification' with norms, which apparently endorses but indirectly subverts the normative frameworks within which it is performed. Such overidentification is a form of satire, contemporaneously appropriated by state actors, which has indeterminate yet significant effects.

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