The impossible possible narrative: the quest for truth in Bir Zamanlar Anadolu'da/Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)

The paper explores how the film Bir Zamanlar Anadolu'da/Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) represents the difficulty of uncovering meaning and truth in a psychoanalytic process of coming to 'know thyself'. The film is about a journey to resolve a murder mystery, a crime without reference, trace or known motivation. The protagonists' aspiration for truth is met by a maze of empty signs, confronting them with distortion, disorientation and a variety of possible narratives. The clarification of facts leads to dead ends; solving one mystery only leads to another, opening more contradictory narratives, alternate memories and disputed spaces. The paper reflects on the possibility that the film's non-discursive, poetic style can capture, beyond its mimetic aspects, a reality beholden to memory, dreams and other manifestations of the unconscious. In containing both, by means of its poetic discourse, the film enables an expanded meditation on truth and meaning. It offers a resolution that emerges in the creation of a tale bound not only to facts, but to a general truth: a scheme above time, enabling reflectivity, a story to be told - Once Upon a Time in Anatolia.

Automated summary

This paper explores how the film "Once Upon a Time in Anatolia" represents the difficulties of uncovering meaning and truth in a psychoanalytic process. The film follows a journey to solve a murder mystery without any reference, trace, or known motivation. The protagonists' search for truth is met with a maze of empty signs, leading to distortion, disorientation, and multiple conflicting narratives. The paper reflects on the film's poetic style and its ability to capture a reality beyond its mimetic aspects, highlighting the role of memory, dreams, and the unconscious. Ultimately, the film offers a resolution that goes beyond mere facts by presenting a universal truth.