3.8 Article

Sonic Directions to the Urban Student: Lyotard, the Megalopolis, and Not Listening as Pedagogy

Journal

CONTEMPORARY MUSIC REVIEW
Volume -, Issue -, Pages -

Publisher

ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
DOI: 10.1080/07494467.2023.2283820

Keywords

Lyotard; urbanism; pedagogy; interruption; childhood; stupidity; timbre

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This article explores the relationship between sound and education in the urban environment, drawing on the writings of Jean-Francois Lyotard. It highlights the privatisation of hearing and listening in the contemporary urban setting, and argues that the dominant focus on listening and hearing neglects the importance of not listening. The article proposes three forms of sonic pedagogy - hearing, listening, and not listening - which have the potential to challenge the prevailing listening practices and reorient the urban towards thought and childhood.
This article contributes to research on Lyotard and sounds by taking up the urban as an ensemble that is immediately a matter of sound and education, approaching pedagogy not as a tactic but as a sonic mode of and relation to thought. It begins by exploring the sounding state of the contemporary urban environment as it's organised around the production and circulation of information and knowledge. Hearing and listening in this urban setting are privatised such that the possibility of sonic interruptions is foreclosed. The article turns next to Jean-Francois Lyotard's writing on the urban, which positions urbanism as a system that demands exchange and communication and as a social form that doesn't avoid or repress interruptions, but rather consumes and absorbs them as sources of new accumulation. Connecting Lyotard's urbanism with his work on writing and sound, the article then articulates three forms of sonic pedagogy: hearing, listening, and not listening. In this pedagogical schema, the primary problem of the urban today is that hearing and listening dominate at the expense of not listening. This configuration positions students as deficient adults who must grow up as quickly as possible, thereby depriving the student of the ability to be and remain a student. The sonic pedagogies developed in the article, then, have the potential to resist the privatising listening practices of the urban that compel opacity into transparency and to potentially reconfigure the urban around exposure to thought and childhood.

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