The intimate thing that makes her feel at home: An analysis of the diasporic objects of women migrants

Accelerating globalisation and transnational migration in recent decades has led to an increasing number of women migrants. This phenomenon calls for an investigation of women's identities as migrants. This article examines women migrants' sense of belonging through their everyday material practices. I draw on the concept of diasporic objects to examine the material objects that women migrants take with them, which function as prisms for their relationships to their national cultures. I adopt a theoretical framework of intimacy - including national intimacy, intimate culture and diasporic intimacy - to examine how women relate to their nations via a nation-family continuum. Through an analysis of 18 women migrants' narratives about their diasporic objects, I argue that the diasporic objects of women migrants articulate their domestic and familial life and connect them with their imagined national cultures. Their concept of 'home' is haunted by memories of war, patriarchal oppression and authoritarianism. I conclude by discussing how they use their diasporic objects to transform the idea of home into a rooted and transitive concept.

Automated summary

The increasing number of women migrants is a consequence of accelerated globalization and transnational migration in recent decades. This article explores women migrants' sense of belonging by examining their everyday material practices. By analyzing narratives about diasporic objects, it is argued that these objects articulate women migrants' domestic and familial life, connecting them with their imagined national cultures. The concept of 'home' is haunted by memories of war, patriarchal oppression, and authoritarianism. The study concludes by discussing how women migrants use their diasporic objects to transform the idea of home into a rooted and transitive concept.