The Moral Panic over CRT Bans: A Semiotic Play in Three Acts

This article offers a semiotic perspective on the debate over critical race theory (CRT) bans in the United States. It presents the debate as unfolding in three stages. In the first stage, CRT is created by an opportunistic journalist as a catchall category for white grievances, and the bans themselves are seen as consistent with freedom of speech, and Martin Luther King Jr.'s vision of a colorblind society. A semiotic rupture, occasioned by Timothy Snyder's 2021, New York Times Magazine article The War on History is a War on Democracy, ushered in a second stage. By comparing CRT bans to Vladimir Putin's use of law to deny Soviet past crimes (especially regarding Ukraine), Snyder exposed the CRT bans as willful acts of forgetting past crimes, while indirectly highlighting Putin's own anti-woke initiatives. This led to the third stage, in which some CRT ban supporters began to view critical race theory as form of communism. Sometimes this use was tactical; in other instances, it reflected a belief that a conspiracy theory, one consistent with white nationalism, according to which cultural Marxists were destroying American society from within.

Automated summary

This article offers a semiotic perspective on the debate over critical race theory (CRT) bans in the United States, highlighting the stages and developments of the discourse.