Related references
Note: Only part of the references are listed.The role of expertise and culture in visual art appreciation
Kohinoor M. Darda et al.
SCIENTIFIC REPORTS (2022)
Artificial intelligence versus Maya Angelou: Experimental evidence that people cannot differentiate AI-generated from human-written poetry
Nils Kobis et al.
COMPUTERS IN HUMAN BEHAVIOR (2021)
Are you ready for artificial Mozart and Skrillex? An experiment testing expectancy violation theory and AI music
Joo-Wha Hong et al.
NEW MEDIA & SOCIETY (2021)
Artificial Intelligence, Artists, and Art: Attitudes Toward Artwork Produced by Humans vs. Artificial Intelligence
Joo-Wha Hong et al.
ACM TRANSACTIONS ON MULTIMEDIA COMPUTING COMMUNICATIONS AND APPLICATIONS (2019)
Readers' perception of computer-generated news: Credibility, expertise, and readability
Andreas Graefe et al.
JOURNALISM (2018)
Putting the Art in Artificial: Aesthetic Responses to Computer-Generated Art
Rebecca Chamberlain et al.
PSYCHOLOGY OF AESTHETICS CREATIVITY AND THE ARTS (2018)
A manifesto for reproducible science
Marcus R. Munafo et al.
NATURE HUMAN BEHAVIOUR (2017)
The shaping of social perception by stimulus and knowledge cues to human animacy
Emily S. Cross et al.
PHILOSOPHICAL TRANSACTIONS OF THE ROYAL SOCIETY B-BIOLOGICAL SCIENCES (2016)
Shaping and reshaping the aesthetic brain: Emerging perspectives on the neurobiology of embodied aesthetics
Louise P. Kirsch et al.
NEUROSCIENCE AND BIOBEHAVIORAL REVIEWS (2016)
SIMR: an R package for power analysis of generalized linear mixed models by simulation
Peter Green et al.
METHODS IN ECOLOGY AND EVOLUTION (2016)
The Influence of Art Expertise and Training on Emotion and Preference Ratings for Representational and Abstract Artworks
Jorien van Paasschen et al.
PLOS ONE (2015)
The Control of Automatic Imitation Based on Bottom-Up and Top-Down Cues to Animacy: Insights from Brain and Behavior
Andre Klapper et al.
JOURNAL OF COGNITIVE NEUROSCIENCE (2014)
Random effects structure for confirmatory hypothesis testing: Keep it maximal
Dale J. Barr et al.
JOURNAL OF MEMORY AND LANGUAGE (2013)
Dance as a Subject for Empirical Aesthetics
Julia F. Christensen et al.
PSYCHOLOGY OF AESTHETICS CREATIVITY AND THE ARTS (2013)
How Art Is Appreciated
Helmut Leder et al.
PSYCHOLOGY OF AESTHETICS CREATIVITY AND THE ARTS (2012)
False-Positive Psychology: Undisclosed Flexibility in Data Collection and Analysis Allows Presenting Anything as Significant
Joseph P. Simmons et al.
PSYCHOLOGICAL SCIENCE (2011)
Seeing the Mind Behind the Art: People Can Distinguish Abstract Expressionist Paintings From Highly Similar Paintings by Children, Chimps, Monkeys, and Elephants
Angelina Hawley-Dolan et al.
PSYCHOLOGICAL SCIENCE (2011)
Top-Down Modulation of Motor Priming by Belief About Animacy
Roman Liepelt et al.
EXPERIMENTAL PSYCHOLOGY (2010)
Unspoken Knowledge: Implicit Learning of Structured Human Dance Movement
Tajana Opacic et al.
JOURNAL OF EXPERIMENTAL PSYCHOLOGY-LEARNING MEMORY AND COGNITION (2009)
Modulation of aesthetic value by semantic context: An fMRI study
Ulrich Kirk et al.
NEUROIMAGE (2009)
Action observation and acquired motor skills:: An fMRI study with expert dancers
B Calvo-Merino et al.
CEREBRAL CORTEX (2005)
A model of aesthetic appreciation and aesthetic judgments
H Leder et al.
BRITISH JOURNAL OF PSYCHOLOGY (2004)