4.7 Article

Unique wood ash Co-coloured glass tessera from mediaeval Madonna: Raman spectroscopic study of production technology

Publisher

PERGAMON-ELSEVIER SCIENCE LTD
DOI: 10.1016/j.saa.2023.123183

Keywords

Tessera; Wood Ash Glass; Raman Micro-Spectroscopy; Pseudowollastonite; Production Technology

Categories

Ask authors/readers for more resources

This study examines a wood ash glass tessera in detail, which was part of a statue in Poland created in the 14th century and destroyed during World War Two. The analysis reveals that the tessera was colored by cobalt, possibly influenced by copper, and opacified by Ca-phosphate. It also identifies two new phases, indicating the originality of the tessera and a higher production temperature.
While the natron and plant ash glass tesserae may be found on places of importance across the former Roman and Byzantine empires, wood ash glass tesserae are scarce. This is the first time a wood ash glass tessera is studied in detail. It was part of a magnificent 8-metres tall statue of Madonna in Malbork, Poland, created at the end of the 14th century and destroyed at the end of World War Two. It was found to be coloured by cobalt with possible impact of copper, and opacified by Ca-phosphate. Processes previously described in sodium-rich glasses were observed also in the studied potassium-rich wood ash glass tessera, such as diffusion of the respective alkali metal into the Ca-phosphate grains. The elemental composition of the tessera indicates that it is original - mediaeval, from the area north of Alps. Two phases were identified for the first time, to authors' best knowledge, in any glass tessera - leucite (tetragonal KAlSi2O6) and pseudowollastonite (monoclinic CaSiO3). As pseudowollastonite is a high-temperature phase, it may serve as an indicator of production temperature, which was further supported by the study of polymerisation index of model glasses. This study contributes to the knowledge of old technologies and showed that the know-how for opacification was imported from the Mediterranean, while the raw materials employed for the base glass preparation were from the area north of Alps.

Authors

I am an author on this paper
Click your name to claim this paper and add it to your profile.

Reviews

Primary Rating

4.7
Not enough ratings

Secondary Ratings

Novelty
-
Significance
-
Scientific rigor
-
Rate this paper

Recommended

No Data Available
No Data Available