Journal
JOURNAL OF DANCE & SOMATIC PRACTICES
Volume 15, Issue 1, Pages 9-21Publisher
INTELLECT LTD
DOI: 10.1386/jdsp_00103_1
Keywords
subtractive; tact; relaxation; difficulty; intention; transformation; Badiou; Muth
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This article proposes the concept of subtractive sensibility to better understand the teaching of practising and explores three different forms of subtractive sensibilities. It is relevant to teaching both specific practices and the approach to practising itself.
This article proposes that, alongside the teaching of the specific contents of any practice, we can better apprehend what informs a teaching of practising by invoking the notion of subtractive sensibility. The article disambiguates practices from practising per se, drawing on the author's existing research in the field of practising theory and the four criteria of practising. The article then explores the idea of the subtractive via the works of philosopher, Alain Badiou and professor of education, Jakob Muth. Three subtractive sensibilities are then proposed: relaxation-in-the-face-of-difficulty, non-purposiveness and acausality. These are relevant to teaching not only discrete practices but also practising, where the latter is an approach to doing that invites transformation without undermining steadiness or going via destruction.
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