3.8 Article

Exploring street graphics: Strategies and challenges for city branding in Kumasi, Ghana

Journal

COGENT ARTS & HUMANITIES
Volume 10, Issue 1, Pages -

Publisher

TAYLOR & FRANCIS AS
DOI: 10.1080/23311983.2023.2206235

Keywords

Street graphics; branding; identity; urban areas; signage; street art; Kumasi

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Street graphics play a vital role in urban areas, serving as a form of advertising, wayfinding, and visual stimulation, while also contributing to the overall quality of the city. However, unregulated street graphics can lead to visual pollution and potentially impact a city's brand and appeal. This study focuses on Kumasi, the second largest city in Ghana, and examines the use of street graphics for branding purposes, revealing an identity crisis and a lack of clear city branding.
Street graphics are the main feature of urban areas providing opportunities for advertising, wayfinding, visual stimulation, and other activities while adding to the quality of the urban area. Street graphics can potentially affect a city's overall brand and appeal. Many cities are experiencing visual pollution as a by-product of unregulated street graphics. Due to its unique categorisation as a historical and commercial centre, Kumasi, the second largest city in Ghana, provided the opportunity to investigate the use of street graphics for branding. The study through a constructivist-interpretive perspective approach, utilised visual survey and philology to gather data and analyse the street's graphic composition and establish the reasons for its presence. It became obvious through the results of the study that the clatter of the street graphics has affected the process of identifying and agreeing upon a relevant set of city brand attributes Kumasi require. The mixture of street graphics which is strongly skewed towards Funerals, Religious programs, and Herbal Medicine, suggest that Kumasi may want to be identified with that but that is not the core objective of the City of Greater Kumasi Area. Kumasi does not seem to have a clear identity, although it is home to wonderful tangible and intangible cultural heritages (the Golden Stool and the Ashanti Kingdom). Although the city has seen significant structural development and modernization without any direction for identity, the managers of the city have not sought to define the identity of the city, and the street graphics have also compounded the identity crisis. An assessment criterion was developed to compare the various street graphics on the streets with recommendations regarding the type of street graphics employed and their overall effect on the host street that can have significant impact on its branding.

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