4.3 Article

Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists

Journal

JOURNAL OF VISION
Volume 23, Issue 4, Pages -

Publisher

ASSOC RESEARCH VISION OPHTHALMOLOGY INC
DOI: 10.1167/jov.23.4.1

Keywords

art; drawing; emotions; image features; perception

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Visual abstract art uses color and form to convey feelings and emotions. This study examined how artists and non-artists express basic emotions through abstract art. The results showed that both groups were able to accurately depict emotions using color and lines, with non-artists performing better than artists.
Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artists created abstract color drawings and line drawings depicting six emotions (i.e., anger, disgust, fear, joy, sadness, and wonder). To test whether people represented basic emotions in similar ways, we computationally predicted the emotion of a given drawing by comparing it to a set of references created by averaging across all other participants' drawings within each emotion category. We found that prediction accuracy was higher for color drawings than line drawings and higher for color drawings by non-artists than by artists. In a behavioral experiment, we found that people (N = 242) could also accurately infer emotions, showing the same pattern of results as our computational predictions. Further computational analyses of the drawings revealed systematic use of certain colors and line features to depict each basic emotion (e.g., anger is generally redder and more densely drawn than other emotions, sadness is more blue and contains more vertical lines). Taken together, these results imply that abstract color and line drawings are able to convey certain emotions based on their visual features, which are also used by human observers to understand the intended emotional connotation of abstract artworks.

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