Improved Aures tonality metric for complex sounds

This paper proposes improvements to the Aures' tonality metric, which can be used for estimating the frequency masking of complex sounds. The perception of tonality has been extensively studied in simple sounds, such as pure tones and narrowband noise signals, but there are no solid conclusions in the case of complex sounds. Previously, Aures' method has been mostly used in the psychoacoustic analysis of noise signals. The modifications presented here are a better spectral resolution, a lowered tonal threshold, and a different exponent in one of their weighting functions. These may appear to be minor changes from the original Aures (OA) method, but they have proven to be significant for perception. The improved Aures (IA) method has been validated by a subjective test using three different multitone signals in the presence of a narrowband noise, whose result is the subjectively perceived masking thresholds. Results show that the IA method presents an average error of 0:8 dB when predicting the subjective masking thresholds provided by the test, while the average errors of the OA and a baseline spectral flatness method exceed 5 dB. In addition, a second subjective test has been carried out to assess the perceptual equalization of a music signal using the proposed IA and spectral flatness methods. The second test confirms that the IA method is preferred. Therefore, the improved Aures method is proposed as a reliable tonality metric for complex sounds, such as multi-tone signals and music.(c) 2023 The Author(s). Published by Elsevier Ltd. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/).

Automated summary

This paper proposes improvements to the Aures' tonality metric for estimating the frequency masking of complex sounds. The modified Aures method has been validated through subjective tests and shown to have significantly lower average error in predicting subjective masking thresholds compared to the original method and a baseline spectral flatness method. A second subjective test also confirms the preference for the improved Aures method in perceptual equalization of music signals.