3.8 Article

Addressing the Other in the Religious Poetry of Judah Halevi and Gorazd

Journal

PRIMERJALNA KNJIZEVNOST
Volume 45, Issue 3, Pages 103-123

Publisher

SLOVENE COMPARATIVE LITERATURE ASSOC
DOI: 10.3986/pkn.v45.i3.07

Keywords

literature and religion; spiritual poetry; mystical poetry; Halevi; Judah; Kocijan?i?; Gorazd; naming God; speech structure of prayer

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This article discusses the poetry of medieval Jewish poet Judah Halevi and contemporary Slovenian poet Gorazd Kocijancic, showing how the key moment of addressing the Other in religious poetry is reflected in the poem itself. Despite the differences in history, culture, and religion between the two poets, their descriptions of religious experiences are similar.
Experiencing the Transcendental-which surpasses our ability of feeling, imagination, our own selves-is an ancient experience. Parallel to this experi- ence, attempts for its articulation were developing-with which the man soon found out that he is dealing with the ineffable. But he did not give it up. Reli- gious literature which is perhaps trying to put the ineffable into words most directly, has been present since the beginnings of literature-and is just as rel- evant today. This article deals with two instances from its journey: the poetry of the medieval Jewish poet Judah Halevi and the contemporary Slovenian poet Gorazd Kocijancic. It is based on Kocijancic's translation of a selection of Halevi's poems (1997) and three Kocijancic's poetry collections: Tvoja imena (2000, Your names), Certamen spirituale (2008) and Primoz Trubar zapusca Ljubljano (2012, Primoz Trubar is leaving Ljubljana). Based on their poetry, it shows how that which pushes a religious poem into being and is at the same time its key moment-addressing the Other-is reflected in the poem itself. Firstly, the article describes how the poets relate to the tradition of mysti- cal poetry, as the discussed aspect of poetry is most directly present in it. It then discusses how the lyrical subject addresses the o(O)ther, God-by using names and the structure of the poem itself, which always addresses s(S)ome- one. We will see that the authors describe the same experience, despite the historical, cultural, and ultimately religious distance between them.

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