Journal
EUROPEAN JOURNAL OF CULTURAL STUDIES
Volume 26, Issue 6, Pages 781-802Publisher
SAGE PUBLICATIONS LTD
DOI: 10.1177/13675494221124633
Keywords
Affective economies; aiguo; China; Chineseness; chuguo; Hanfu; imagined community; migration; nationalism; patriotic fashion; youth culture
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This article examines the complex relationship between the revival of Hanfu and rising Chinese nationalism among Chinese youth living in the UK. By using affective economies as a theoretical framework, the study explores how Hanfu is assigned with specific feelings and values, and how it circulates among young Chinese migrants. Through in-depth interviews and analysis of cultural events, the article reveals the emotional attachments and nationalistic sentiments associated with Hanfu, as well as its symbolic significance as a representation of ancient China.
This article sheds light on the intricate relationship between the revival of Hanfu, traditional couture from the Han Dynasty, and rising Chinese nationalism among Chinese youth living in the United Kingdom. Mobilizing the theoretical tool 'affective economies', we explore how particular feelings and values are assigned and attached to Hanfu, and thereby circulate among young Chinese migrants. We begin by examining the Hanfu movement to interrogate how Hanfu is reinvented based on a selective historicity of the past, serving as a specific cultural product for China's rejuvenation. We then move on to analyze a series of in-depth interviews conducted between December 2019 and July 2020. We probe the lived experiences of young Hanfu supporters, who are members of the UK Han Culture Association, and the cultural events organized by the Association, in order to scrutinize the ways Hanfu conjures up an imagined community suffused with nationalism. Drawing upon on the affective economies of Hanfu, we discern the following three key findings: First, we argue that there are both positive and negative affective attachments to Hanfu, such as homesickness, loneliness, alienation, happiness, pride and beauty, which impinge on migrant bodies, assigning values to Hanfu and the Hanfu-related cultural events. Second, we show through the analysis of the fieldwork materials the paradoxical desire for chuguo (going abroad) and huiguo (returning to the nation) in the hearts of the young migrants. Finally, we argue that Hanfu circulates as a 'mnemonic thing' that signifies a specific imaginary of Ancient China, where young migrant's aiguo (love of the nation) sentiments are then 'stuck' to this reinvented fashion.
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