Journal
TELEVISION & NEW MEDIA
Volume 24, Issue 2, Pages 156-172Publisher
SAGE PUBLICATIONS INC
DOI: 10.1177/15274764221093602
Keywords
SVOD; horror; genre; fandom; Shudder; streaming platform
Categories
Ask authors/readers for more resources
This article examines the horror-focused SVOD service Shudder and highlights how these genre-specific SVOD services curate content differently from major services like Netflix. Unlike generalist SVODs, niche services are branded around specific genre affective pleasures and fan cultures, rather than attracting users through personalized algorithmic recommendations.
Major subscription-video-on-demand (SVOD) services including Netflix and Apple TV+ target a wide range of consumers through catalogs that house a diverse variety of genres. However, as the SVOD ecology has evolved, services have emerged that focus on particular genres, and thus target enthusiasts of specific content types. This article examines the horror-focused SVOD service Shudder to highlight how these genre-specific SVOD services curate content in ways that differ from major services like Netflix. Unlike the top-tier generalist SVODs, niche services like Shudder do not appeal to users via personalized algorithmic recommendation of titles from a seemingly limitless catalog: instead, these services are branded around the affective pleasures of and fan cultures surrounding specific genres. Our analysis of Shudder combines interface and genre analysis to illuminate how the platform offers a phenomenal experience of generic immersion in ways that reflect on new intersections between SVOD platforms, genre, nostalgia, and cinephilic subcultures.
Authors
I am an author on this paper
Click your name to claim this paper and add it to your profile.
Reviews
Recommended
No Data Available