Journal
ARCHAEOLOGICAL AND ANTHROPOLOGICAL SCIENCES
Volume 13, Issue 2, Pages -Publisher
SPRINGER HEIDELBERG
DOI: 10.1007/s12520-020-01270-4
Keywords
Glaze technology; Cyprus; Eastern Mediterranean; Late medieval; Post-medieval
Funding
- European Commission [750904]
- Marie Curie Actions (MSCA) [750904] Funding Source: Marie Curie Actions (MSCA)
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This study challenges the traditional view that glazed ware production in the eastern Mediterranean was technologically stagnant after the late medieval period, using scientific analyses and a holistic approach to highlight the changes in technology and craft organization. The research focuses on the examples from Cyprus, showing that the production in Paphos was short-lived while Famagusta and Lapithos continued production with different technical practices. Further changes in technical practices occurred around the 16th/17th centuries, coinciding with the Ottoman rule.
This paper challenges the conventional characterisation of glazed ware productions in the eastern Mediterranean, especially the ones which did not feature the use of opaque or tin-glazed technology, as technologically stagnant and unsusceptible to broader socio-economic developments from the late medieval period onwards. Focusing on the Cypriot example, we devise a new approach that combines scientific analyses (thin-section petrography and SEM-EDS) and a full consideration of the chaine operatoire in context to highlight the changes in technology and craft organisation of glazed ware productions concentrating in the Paphos, Famagusta and Lapithos region during the thirteenth to seventeenth centuries CE. Our results indicate that the Paphos production was short-lived, lasting from the establishment of Frankish rule in Cyprus in the thirteenth century to the aftermath of the fall of the Crusader campaigns in the fourteenth century. However, glazed ware production continued in Famagusta and Lapithos from the late thirteenth/fourteenth centuries through to the seventeenth century, using technical practices that were evidently different from the Paphos production. It is possible that these productions were set up to serve the new, local demands deriving from an intensification of commercial activities on the island. Further changes occurred to the technical practices of the Famagusta and Lapithos productions around the 16th/17th centuries, coinciding with the displacement of populations and socio-political organisation brought by the Ottoman rule.
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