Journal
ECONOMIC BOTANY
Volume 70, Issue 2, Pages 103-114Publisher
SPRINGER
DOI: 10.1007/s12231-016-9342-2
Keywords
Lewis-Williams; neuropsychological model; hallucinogens; Psilocybe distribution; origins of art
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Funding
- UNAM's PAPIIT [IA102415]
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The role of altered states of consciousness in the production of geometric and figurative art by prehistoric cultures in Africa and Europe has been hotly debated. Helvenston and Bahn have tried to refute the most famous hypothesis, Lewis-Williams' neuropsychological model, by claiming that appropriate visual hallucinations required the ingestion of LSD, psilocybin, or mescaline, while arguing that none of these compounds were available to the cultures in question. We present here mycological arguments that tell another story. A prehistoric worldwide distribution of the mushroom genus Psilocybe, and therefore of psilocybin, is supported by the existence of endemic species in America, Africa, and Europe, the disjunct distribution of sister species, and the possibility of long-distance spore dispersal. It is more difficult to point to instances of actual prehistoric ritual use in Africa and Europe, but there are a growing number of suggestive findings.
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